Opening photograph of the DOSTER exhibition

An online exhibition — Photographs, films & code

DOSTER

Photographer Filmmaker Developer

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Foreword

Light passes. People leave. I press the shutter so that something stays.

빛은 지나가고, 사람은 떠난다.
그래서 나는 셔터를 누른다, 무언가 남도록.

01 —

PEOPLE

Strangers who looked back. Friends who didn't notice. Every face carries a weather of its own.

People — a stranger crossing the street, looking back at the camera
Untitled (Crosswalk)Canon QL17 G3Ektar 100Singapore, 2026
People — a friend laughing, half turned away
Friend, LaughingNikon F4Portra 400Seoul, 2026
People — a person waiting alone at a bus stop
WaitingNikon F4HP5 PlusBusan, 2025

02 —

DAILY

Nothing happens here — a kitchen, a bus window, 7 a.m. That is exactly why I keep them.

Daily — morning light falling across a small kitchen table
Morning, KitchenRicoh GR IIIDigitalSeoul, 2026

Sequence

A week of
ordinary light.

Daily — Monday, a crowded subway platform
Mon. 07:42Ricoh GR IIISeoul, 2026
Daily — Tuesday, a window seat on a city bus
Tue. 12:10Ricoh GR IIISeoul, 2026
Daily — Wednesday, late sun on an empty hallway
Wed. 17:55Ricoh GR IIISeoul, 2026
Daily — Thursday night, a convenience store glowing on a dark street
Thu. 23:31Ricoh GR IIISeoul, 2026

03 —

FILM

Thirty-six frames. No preview. Film taught me to wait for a moment instead of chasing it.

Film — the inside of a night bus glowing under tungsten light
Night BusNikon F4CineStill 800TSeoul, 2025
Film — rain on a window, city lights blurred behind it
RainNikon F4CineStill 800TSeoul, 2025

Developing film is
the slowest way to remember.

Film — the Han River at dusk, the city reflected in the water
Han River, 5:58 PMNikon F4Portra 800Seoul, 2026

04 —

PORTRAIT

A portrait is an agreement: you let me look, and I try to see.

Portrait — J., looking straight into the lens
J.Nikon F4Portra 400Seoul, 2026
Portrait — M. after school, leaning against a wall
M., After SchoolNikon F4Portra 160Seoul, 2026
Portrait — a self-portrait reflected in a shop window
Self-portrait, ReflectionNikon F4HP5 Plus2026

05 —

EXPERIMENTAL

Double exposures, long shutters, light leaks — and the mistakes I decided to keep.

Experimental — a double exposure of a face and city lights
Double Exposure No. 3Nikon F4Ektar 100Seoul, 2026
Experimental — a long exposure turning passing cars into lines of light
Long Exposure, UntitledSony α7 IV30 sec.2026

End of exhibition

Thank you for looking.

Projects

Beyond
the single frame.

Series, films and videos — work that needs more than one picture to be told.

P — 01

THE MOSA

Type
Photo series
Year
2026
Role
Photography

A photographic record of one community — the people, the rooms we shared, and the small rituals that made us who we were.

THE MOSA — cover photograph

P — 02

KU데타

Type
Short film
Year
2026
Role
Director, Editor

A short film made with friends over one season. Small crew, borrowed lights, real locations.

KU데타 — film still used as the cover Watch the film (opens in a new tab)
KU데타 — film still 1
Still, 00:03:12
KU데타 — film still 2
Still, 00:11:48

P — 03

쿠왕

Type
Video series
Year
2025 — 2026
Role
Directing, Camera, Edit

An ongoing video series built from everyday campus life — people, places and the rhythm in between.

DOSTER holding a film camera

About

One way of seeing.
Many ways of making.

사진을 찍고, 영상을 만들고, 코드를 공부합니다. 도구는 달라도 하는 일은 같습니다 — 오래 바라보고, 잊고 싶지 않은 것을 남기는 일. 이 웹사이트도 그렇게 직접 만든 작은 전시장입니다.

  1. Photographyto hold a moment still.
  2. Filmto trust the wait.
  3. Videoto let it move.
  4. Directingto give it a shape.
  5. Developmentto build the room it lives in.

This site is one of those rooms — designed and written by hand, line by line.